{"id":4229,"date":"2025-10-17T12:16:41","date_gmt":"2025-10-17T12:16:41","guid":{"rendered":"https:\/\/countrymusictune.com\/?p=4229"},"modified":"2025-10-17T12:16:41","modified_gmt":"2025-10-17T12:16:41","slug":"that-spark-of-stumbling-on-a-forgotten-gem-gone-daft-punk-were-the-kings-of-that-they-could-turn-half-a-second-of-groove-into-a-global-anthem-justice-explain-why-they-no","status":"publish","type":"post","link":"https:\/\/countrymusictune.com\/?p=4229","title":{"rendered":"\u201cThat spark of stumbling on a forgotten gem \u2026 gone. Daft Punk were the kings of that. They could turn half a second of groove into a global anthem\u201d: Justice explain why they no longer sample other people\u2019s records and create their own loops instead"},"content":{"rendered":"<p>\u201cSampling the traditional way gets frustrating fast: bad tuning, rigid tempos, weird textures that don\u2019t bend,\u201d says Xavier de Rosnay<\/p>\n<p>As they prepare to kick off their North American tour, French duo Justice &#8211; Gaspard Aug\u00e9 and Xavier de Rosnay &#8211; have been discussing their approach to music making &#8211; specifically in relation to 2024 album, Hyperdrama &#8211; and explaining why they no longer sample other people\u2019 records.<\/p>\n<p>Asked by Rolling Stone if this is about having more control over their sound, de Rosnay replied: \u201c100%. Sampling the traditional way gets frustrating fast: bad tuning, rigid tempos, weird textures that don\u2019t bend. So we started recording our own source material \u2013 built for flexibility. It saves us 900 hours digging through crates.\u201d<\/p>\n<p>We can certainly see the benefits &#8211; no royalty payments to be made to other artists, for a start &#8211; but de Rosnay also admits that there are downsides: \u201cNo more surprises. No more accidents. That spark of stumbling on a forgotten gem\u2026 gone,\u201d he says. \u201cDaft Punk were the kings of that. They could turn half a second of groove into a global anthem.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cSampling the traditional way gets frustrating fast: bad tuning, rigid tempos, weird textures that don\u2019t bend,\u201d says Xavier de Rosnay As they prepare to kick &hellip; <\/p>\n","protected":false},"author":1,"featured_media":4230,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cThat spark of stumbling on a forgotten gem \u2026 gone. Daft Punk were the kings of that. They could turn half a second of groove into a global anthem\u201d: Justice explain why they no longer sample other people\u2019s records and create their own loops instead - Country Music Tune<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/countrymusictune.com\/?p=4229\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cThat spark of stumbling on a forgotten gem \u2026 gone. Daft Punk were the kings of that. 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