{"id":3610,"date":"2025-10-11T10:56:38","date_gmt":"2025-10-11T10:56:38","guid":{"rendered":"https:\/\/countrymusictune.com\/?p=3610"},"modified":"2025-10-11T10:56:38","modified_gmt":"2025-10-11T10:56:38","slug":"symarip-the-reggae-outfit-that-adopted-the-skinhead-culture","status":"publish","type":"post","link":"https:\/\/countrymusictune.com\/?p=3610","title":{"rendered":"Symarip: the reggae outfit that adopted the skinhead culture"},"content":{"rendered":"<p>A subcultural shift emerged towards the end of the 1960s, as the sharp suits and smooth jazz of the mods slowly morphed into Dr Martens boots, jeans, and an unending adoration for Jamaican\u00a0ska\u00a0and reggae music: the birth of the skinhead subculture.<\/p>\n<p>One of the most divisive, misunderstood subcultures to ever walk the streets of England\u2019s capital, the\u00a0first wave of skinheads emerged as a product of immigration and integration; a blending of white working-class culture and the culture being brought over to the UK from the Caribbean in the suitcases of the Windrush Generation. Black and white skinheads danced together, united under a common love of heavy bass and homemade sound systems.<\/p>\n<p>Once the subculture had infected the tower blocks and housing estates of London, it quickly spread to every town and provincial city on this sceptred isle, helped along by football away days. By 1969, the skinheads had well and truly arrived, and try as it might, the musical mainstream soon found a need to cater for these short-haired boot-boys. Hence, labels like Trojan Records began to spring up, catering almost exclusively to a skinhead market and flooding UK record stores with the infectious rhythms of Jamaican ska, reggae, and rocksteady goodness.<\/p>\n<p>Although Trojan quickly leaned into the skinhead subculture with its marketing, the label still dealt almost exclusively with presenting Jamaican artists to a UK market, and those artists sitting in the sunshine of Kingston were largely unaware of the fact that they were beloved by legions of Doc Marten-wearing football hooligans.<\/p>\n<p>Even though there were artists who relocated to London around that same time \u2013\u00a0Dandy Livingstone\u00a0being perhaps the greatest example \u2013 nobody seemed overly keen to cater their music specifically towards this blossoming subculture. That was, of course, until Symarip came along.<\/p>\n<figure class=\"wp-block-image size-large\">\n<div><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-798223\" src=\"https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2025\/10\/Symarip-The-reggae-outfit-that-adopted-the-skinhead-culture-Far-Out-Magazine-01-1024x768.jpg\" sizes=\"(max-width: 991px) 100vw, 800px\" srcset=\"https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2025\/10\/Symarip-The-reggae-outfit-that-adopted-the-skinhead-culture-Far-Out-Magazine-01-1024x768.jpg 1024w, https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2025\/10\/Symarip-The-reggae-outfit-that-adopted-the-skinhead-culture-Far-Out-Magazine-01-300x225.jpg 300w, https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2025\/10\/Symarip-The-reggae-outfit-that-adopted-the-skinhead-culture-Far-Out-Magazine-01-768x576.jpg 768w, https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2025\/10\/Symarip-The-reggae-outfit-that-adopted-the-skinhead-culture-Far-Out-Magazine-01-1140x855.jpg 1140w, https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2025\/10\/Symarip-The-reggae-outfit-that-adopted-the-skinhead-culture-Far-Out-Magazine-01-750x563.jpg 750w, https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2025\/10\/Symarip-The-reggae-outfit-that-adopted-the-skinhead-culture-Far-Out-Magazine-01-150x113.jpg 150w, https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2025\/10\/Symarip-The-reggae-outfit-that-adopted-the-skinhead-culture-Far-Out-Magazine-01.jpg 1200w\" alt=\"Symarip- The reggae outfit that adopted the skinhead culture -\" width=\"1024\" height=\"768\" \/><\/div><figcaption title=\"Back cover of Symarip's 'Skinhead Moonstomp' 1970  (Credits: Far Out \/ Trojan Records)\">Back cover of Symarip\u2019s \u2018Skinhead Moonstomp\u2019 1970 (Credits: Far Out \/ Trojan Records)<\/figcaption><\/figure>\n<p>One of the very first reggae bands to be formed in the perpetual drizzle of the United Kingdom, rather than the blazing sun of the Caribbean, Symarip established themselves at roughly the same time as skinhead culture started to take root, and they immediately saw the potential in tailor-made music for young skinheads.<\/p>\n<p>So, rather than peddling the usual ska and reggae rhythms to Trojan, they created anthems like \u2018Skinhead Moonstomp\u2019, \u2018Skinhead Girl\u2019, and \u2018These Boots Are Made For Stomping\u2019 \u2013 their skinhead-tinged take on the Nancy Sinatra classic.<\/p>\n<p>Inevitably, all of those tracks found a cult audience among the skinheads; they were the first records written specifically for this new breed of youth culture, during a time in which the press and authority figures were already denouncing skinheads as brainless troublemakers and making a litany of unsubstantiated comparisons to the running battles between mods and rockers a few years prior.<\/p>\n<p>With the band\u2019s Trojan-released debut album,\u00a0<em>Skinhead Moonstomp<\/em>, in 1970, the subculture saw its represented wholeheartedly both on the cover and throughout the tracklisting. Not only did that record help to make Symarip the definitive sound of the skinhead subculture, but it also afforded them a taste of mainstream success, too. By that point, Trojan was a powerhouse of a label, and when \u2018Skinhead Moonstomp\u2019 was reissued in 1980, during the ska revival of the 2 Tone age, it even entered the UK singles charts.<\/p>\n<p>Symarip\u2019s success \u2013 much like the \u2018Spirit of \u201969\u2019 skinheads \u2013 was fairly short-lived, and the band relocated to Germany to record as an Afro-rock band during the early 1970s, but their impact on the skinhead subculture still resonates to this day.<\/p>\n<p>Particularly after the skinhead image became hijacked by the National Front and a plethora of other far-right charlatans, tracks like \u2018Moonstomp\u2019 act as an essential reminder of the real roots of the subculture: a unifying celebration of Jamaican rhythm and British working-class culture.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A subcultural shift emerged towards the end of the 1960s, as the sharp suits and smooth jazz of the mods slowly morphed into Dr Martens &hellip; <\/p>\n","protected":false},"author":1,"featured_media":3611,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3610","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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