{"id":3229,"date":"2025-10-06T12:20:43","date_gmt":"2025-10-06T12:20:43","guid":{"rendered":"https:\/\/countrymusictune.com\/?p=3229"},"modified":"2025-10-06T12:20:43","modified_gmt":"2025-10-06T12:20:43","slug":"a-love-letter-to-top-of-the-pops-2","status":"publish","type":"post","link":"https:\/\/countrymusictune.com\/?p=3229","title":{"rendered":"A love letter to \u2018Top of the Pops 2\u2019"},"content":{"rendered":"<p>The BBC\u2019s longtime music show,\u00a0<em>Top of the Pops,<\/em>\u00a0is one of the best examples of not knowing how lucky we all were until a great thing is gone.<\/p>\n<p>It\u2019s not just nostalgia. Being a child of the 1990s, I feel fortunate to have caught\u00a0<em>Top of the Pops<\/em> while it still mattered, when Bad Man Bad\u2019s drum and bass remix of Led Zeppelin\u2019s \u2018Whole Lotta Love\u2019\u2014CCS\u2019s instrumental budget version standing as the theme for much of the 1970s\u2014heralded the arrival of the weekend every Friday night on BBC 1. A spark of lively debate in the household, the essential ritual wrapped around the all-important top 20 countdown, the family in union firing off firm affirmatives or scoffing negatives as each entry was called out before announcing the coveted number one that week.<\/p>\n<p>It was perfect timing in its history, too. Too young to really remember its awkward identity crisis, the moment Auntie Beeb didn\u2019t quite know how to handle the explosion of dance music, the series taken over by guys behind computers looking just as confused, my conscious pop awakening was spurred just as Britpop was reaching its cultural zenith, the next decade or so offering keen TV memories from Fat Les troop \u2018aving a laugh and marauding from\u00a0<em>Eastenders<\/em>\u2019 Albert Square set to a stage takeover while chanting \u2018Vindaloo\u2019, witnessing\u00a0Spice Girls\u2019 \u2018Wannabe\u2019 with zero idea of the pop sensation they\u2019d become, and, for some reason, Babylon Zoo\u2019s plastic alien camp miming the atrocious \u2018Spaceman\u2019.<\/p>\n<p>It was a cultural institute that, for whatever reason, I miss. The last gasp of popular music\u2019s unifying command, a collective moment yet to be cracked by the atomised fragmentations we find ourselves bewilderingly navigating. It\u2019s easy to think the long-running music show was inevitably going to run its course in the streaming age, but the series\u2019 executive producer, Chris Cowey, responsible for the show\u2019s Silver Age, was never so fatalistic.<\/p>\n<p>\u201c\u2026it could have been a show that, you know, really parked its tank on the lawn of what the music business is now,\u201d Cowey confessed on the\u00a0<em>Heads on Sticks Chats<\/em>\u00a0podcast in 2023. \u201cYou know, the whole kind of digital revolution,\u00a0<em>Top of the Pops<\/em>, could have, should have, would have been at the vanguard of that.\u201d<\/p>\n<p>He added, \u201cPeople got a sense that the people that were curating it knew what they were doing and were on their side and cared about the music. And for me, that was the most important thing. And that\u2019s a very, very delicate target to hit\u201d.<\/p>\n<figure class=\"wp-block-image size-full\">\n<div><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-200487\" src=\"https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2022\/03\/Top-of-the-pops-1.jpg\" sizes=\"(max-width: 991px) 100vw, 800px\" srcset=\"https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2022\/03\/Top-of-the-pops-1.jpg 903w, https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2022\/03\/Top-of-the-pops-1-300x199.jpg 300w, https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2022\/03\/Top-of-the-pops-1-768x510.jpg 768w, https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2022\/03\/Top-of-the-pops-1-750x498.jpg 750w, https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2022\/03\/Top-of-the-pops-1-360x240.jpg 360w, https:\/\/cdn1.faroutmagazine.co.uk\/uploads\/1\/2022\/03\/Top-of-the-pops-1-150x100.jpg 150w\" alt=\"Top of the pops\" width=\"903\" height=\"600\" \/><\/div><figcaption title=\"(Credit: BBC)\">(Credit: BBC)<\/figcaption><\/figure>\n<p>What could have been. While the loss of\u00a0<em>Top of the Pops<\/em>\u00a0is rightly lamented, its archive plundering sibling is often overlooked. First launched in 1994 and broadcast on the, dare I say, more \u2018alternative\u2019 BBC 2, a eureka foil was had to make good use of the BBC\u2019s deep musical vaults, dusting off select miming performances slapped with old Radio Caroline DJ Johnnie Walker\u2019s narration on\u00a0<em>Top of the Pops 2<\/em>. Like a VH1 for UK terrestrial TV,\u00a0<em>Top of the Pops 2\u00a0<\/em>would prove to be a winner with the more misty-eyed viewership, as well as form an unwitting musical education for those paying attention.<\/p>\n<p>I was such a kid. Alongside the informative gamut of music I was brought up on, everything from the giddy heights of Nirvana to M People\u2019s low ebbs, and before Philip Dodd\u2019s instrumental\u00a0<em>The Book of Rock<\/em>\u00a0tome I received from my Nan one Christmas,\u00a0<em>Top of the Pops 2<\/em>\u00a0would be quietly planting musical seeds that I\u2019d hold dear for the rest of my life. Far from suffering the archaic hits of my parents\u2019 youth, Steve Wright\u2019s animated voice over\u2014the Roger Moore to Walker\u2019s Sean Connery\u2014still echoes with a weird authority in my psyche.<\/p>\n<p>I was struck by so many lightning bolts. Depeche Mode\u2019s industrial clangour hammering away behind \u2018People Are People\u2019\u2014my childish ears pricking with kids show\u00a0<em>It\u2019ll Never Work?<\/em>\u00a0having used the number as its theme\u2014Roxy Music\u00a0encapsulating the show\u2019s glittering Golden Age, performing \u2018Virginia Plain\u2019s art-pop jamboree, gripped by \u2018Golden Brown\u2019s decadent waltz that shrouded The Stranglers, the world of synthpop unveiled by Soft Cell\u2019s \u2018Tainted Love\u2019, or Streetband\u2019s novelty number entirely dedicated to toast.<\/p>\n<p>To this day, certain songs first presented to me from\u00a0<em>Top of the Pops 2<\/em>\u00a0still evoke in my mind the aesthetic of the clips the artists performed. Whether it\u2019s the 1970s\u2019 dodgy filters and effects or the 1980s\u2019 thin mics and plentiful dry ice, certain tracks strike a weird nostalgia despite such hits well before my existence, transported to the family home and affixed to the TV screen, captivated by the gallery of pop\u2019s pioneers and the occasional Jimmy Osmond horror show.<\/p>\n<p><em>Top of the Pops 2<\/em>\u00a0limped on as a semi-regular special following its older sibling\u2019s axe in 2006, the last new episode being a 2017 Christmas edition, but you can still catch reruns on UKTV cable channels, as well as BBC 4, alongside the latter\u2019s broadcasting of entire episode\u2019s in full, a real wake-up call to just how bad any given day\u2019s pop charts always is. But to anybody who grew up with the series,\u00a0<em>Top of the Pops 2\u00a0<\/em>will trigger a sincere affection, and likely imbue many a nascent music fan toward a path of discovery away from the edges of the pop mainstream.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The BBC\u2019s longtime music show,\u00a0Top of the Pops,\u00a0is one of the best examples of not knowing how lucky we all were until a great thing &hellip; <\/p>\n","protected":false},"author":1,"featured_media":3230,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A love letter to \u2018Top of the Pops 2\u2019 - 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