The art of following trends and playing the game of the industry never was that important for Paul Simon.<\/p>\n
He liked the idea of honing his craft and writing the kind of songs that the true greats could be proud of, and even when working outside his comfort zone, tunes like \u2018Diamonds on the Soles of Her Shoes\u2019 were brilliant exercises when he tapped into the world music zeitgeist. But even years after the names Simon and Garfunkel are distant memories, the songwriting genius knew that a few of his songs were going to go beyond traditional pop music.<\/p>\n
Then again, not every artist is looking at their craft in that way. There\u2019s nothing wrong with trying to hop on a trend and see what happens, and while there are always a few opportunities for people to come off as incredibly corny, there\u2019s a reason why people like Madonna became trendsetters by tapping into whatever new technology was happening at the time. Image did have a lot of value, but Simon thought everything he needed could be found in that acoustic guitar.<\/p>\n
After all, the biggest names in folk music could get thousands of fans singing along with only a simple catchy tune, and when Simon first began making records, he had the same kind of tactic. It\u2019s just a shame that no one was around to hear it. Wednesday Morning 3 AM was full of fantastic tunes, but judging by how little response there was to it, it seemed that the world wasn\u2019t ready for a version of folk music without Bob Dylan\u2019s wit.<\/p>\n
Simon simply wasn\u2019t that kind of songwriter, but looking through the record, \u2018The Sound of Silence\u2019 was always going to have a certain magic about it. He may have only been in his 20s when he wrote it, but he already was acutely aware of the kind of darkness of the times in the wake of the Kennedy assassination. The times may have been dark, but it would prove to be a huge win for the duo when the song got re-recorded.<\/p>\n
Although the folk-rock angle wasn\u2019t exactly what Simon had in mind when he wrote it, the whole thing resonated a lot better when there was a bit more punch to it. When Simon saw the reaction that the tune got when performing it live, though, he realised that the tune was bound to be played for generations to come.<\/p>\n
Aside from his own versions over the years, Simon felt that what\u2019s given the song its longevity is how many people continue to play it, saying, \u201cI think if any of my songs have a chance of \u2026 lasting 100 years, I think it may be that one. I was looking on YouTube to hear some Andean flutes, you know, pan pipe flutes, for something that I thought about in the [current] show \u2026 and while I was looking for it, there was a a Native American, he was just by himself and he was wearing a headdress, and he was playing \u2018The Sound of Silence.\u2019\u201d<\/p>\n
And given how many people have covered the tune, it\u2019s not like it isn\u2019t able to be used in different contexts. Anyone could play that melody as a solo acoustic performance and make it sound absolutely heartbreaking, and for as aggro and off-putting as Disturbed can come off as at times, David Draiman does at the very least know how to do justice to the tune when he sings their version of it.<\/p>\n
It\u2019s not exactly the happiest song in the world and it was bound to be a little bit haunting for those that lived through any kind of hardship, but that\u2019s also what makes it so beautiful. It\u2019s not easy going through the struggles of life, and even if \u2018The Sound of Silence\u2019 isn\u2019t exactly a pick-me-up, it\u2019s oddly comforting to know that there is someone else out there who has that same type of anxiety as well. Because if there\u2019s one thing that folk-rock was best at, it was reminding everyone that they weren\u2019t alone.<\/p>\n","protected":false},"excerpt":{"rendered":"
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